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Uitgestorven dieren decoratieve tegels
Tile Extinct Animals Mimic MothUitgestorven dieren decoratieve tegels
Tegel uitgestorven dieren dwergnijlpaardUitgestorven dieren decoratieve tegels
Tile Extinct Animals Queen CobraUitgestorven dieren decoratieve tegels
Tile Extinct Animals Dandelion CranesMoooi x Royal Delft present a unique collection: the original Royal Delft Delft Blue tiles from Moooi’s Extinct Animals collection. Inspired by exquisite drawings from The Museum of Extinct Animals, eight ceramic tiles have been designed and handcrafted at the studio in Delft. Each tile represents one of these magnificent animal species in Delft Blue, and together they form a unique collection.
The Extinct Animals: Dodo Pavone
“The Dodo Pavone’s life was a dream come true. Imagine living for millions of years on the exotic island paradise of Mauritius, quietly strolling around in a luscious forest and along a crystalline sea. Then visualize being the biggest and strongest animal of the island, in harmony with your surroundings, feeling like the king of the world…
They were never in a hurry. If they had to go somewhere, the entire family would follow, gently wobbling along, curious and fearless. It has been reported that the first time a Dodo Pavone saw a human being, he just wobbled straight up to him without hesitation, even giving a small nod, almost saying: “hi!”
They were amiable, friendly in appearance. Their natural outfit was a soft plumage of silvery feathers, with different nuances of grey, blue, beige and white, decorated with a cute pompom at the tail. Their colourful, rounded beaks were greatly admired by the first settlers, who were known to collect Dodo eggs as vases for their prized tulips.” – Moooi The Museum of Extinct Animals.
The decorative tile in every modern interior
These decorative tiles are beautiful, distinctive accents for personalizing a room. The blend of tradition and contemporary art is a wonderful addition to modern interiors. Royal Delft’s decorative tiles are equipped with a hanging hook. Add a contemporary touch to a modern interior by subtly hanging it as a piece of art, alongside wall plates or other wall decorations, for instance. Give the tile extra body by placing it in one of the tile frames. Add a striking accent to a mantelpiece or shelf and enrich the space with a touch of artisanal elegance.
Would you like to combine the Extinct Animals decorative tiles with blank tiles? Then use this tile for the perfect result.
Inspired by the drawings from the Museum of Extinct Animals, eight ceramic tiles were designed and handcrafted in the workshop in Delft. Each tile represents one of these magnificent animal species in Delft Blue; together they form a unique collection. These decorative tiles from Moooi x Royal Delft create distinctive accents that personalise any space. The blend of tradition and contemporary art enriches modern interiors.
Uitgestorven dieren decoratieve tegels
Uitgestorven dieren decoratieve tegels
Uitgestorven dieren decoratieve tegels
Uitgestorven dieren decoratieve tegels
De Porceleyne Fles in Delft
Centuries-old craftsmanship lives on in De Porceleyne Fles. The screen printing technique, with its origins in eighteenth-century England, is still an essential part of the decorating process. Here, heritage, precision and craft come together in every ceramic object.
Even when the screen printing technique is used, the hand of the Royal Delft master painter is still part of the design. The first design is put on paper with a brush, using the same black paint. Once a final design has been made, it is sent to the printer. The printer scans it digitally and then turns it into a screen print.
This is divided into four separate layers for the four different shades of blue. It is then printed onto plastic films, and the films are exposed onto a screen printing frame. In this way the design transfers from the film to the frame. This is done four times for the different shades of blue, after which a carrier layer is added on top. That carrier holds the entire design together.
The transfer is then applied to the glazed product, after which it fuses with the glaze layer during the second firing.
