The clay
A unique earthenware blend perfected over centuries, still mixed and cast by hand in our Delft atelier.





Proud Mary is named after Mary II, the wife of Stadtholder William III and a great lover and collector of Delft Blue during the Golden Age. This stylish figurine was born from the desire to give Royal Delft’s iconic Delft Blue a contemporary look. The design consists of four interchangeable elements: the skirt, the bodice, the collar, and the head. The design is by Dutch designers Koens & Middelkoop; the decoration was designed by the designers and master painters of Royal Delft. Proud Mary View of Amsterdam In Amsterdam’s anniversary year, as the city celebrates its 750th existence, Royal Delft presents a special, hand-painted edition of the iconic Proud Mary. This limited edition pays tribute to the capital in authentic Delft Blue and celebrates Amsterdam’s rich history with a unique art object. The design shows the view from the IJ, a panoramic scene of historical ships in Amsterdam’s harbor. This refined scene reflects the trading role the city has played throughout the centuries. The classic cityscape forms a tribute to the Amsterdam of the Golden Age. The three crosses from the coat of arms of Amsterdam adorn the body of Proud Mary. This Proud Mary is an ode to Amsterdam. This Proud Mary View of Amsterdam is limited to only 150 pieces, a unique collector’s item.

Royal Delft presents its newest tableware collection, inspired by centuries-old landscape painting tradition. The Dutch Dawn Collection captures the serene mystique of the Dutch landscape at first light, bringing calm and beauty to the table.


Proud Mary


Proud Mary


Proud Mary


Proud Mary
Inside De Porceleyne Fles
Same building. Same recipe. Same gesture of the brush — passed painter to painter since 1653.
A unique earthenware blend perfected over centuries, still mixed and cast by hand in our Delft atelier.
A single cobalt oxide that turns deep Delft blue only after the final firing — the colour of every piece since 1653.
Years of training before a brush ever touches a finished piece. Every stroke is original — no decals, no transfers.