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Blueware
Rectangular sign Flower basketBlueware
Rectangular sign Flower basketBlueware
Rectangular sign ButterflyBlueware
Rectangular sign ShipsThis classic 23-centimeter Delft Blue plate, also known as a plaque, combines the graphic signature of Royal Delft with the Dutch landscape. The windmill decoration is clear and recognizable: an eye-catcher on the wall, with a story that points to Holland.
Beautiful to combine with other wall plates from Royal Delft.
From the 17th century onwards, wall plates were a beloved part of the Dutch interior. Large earthenware plates were hung on the wall as decoration and to display wealth and taste. Just like Delft Blue tiles, they were often painted in blue and white, featuring depictions of ships, landscapes, flowers, and biblical scenes. A collection of plates on the wall gave the interior color and character and tied in beautifully with the tiled walls and fireplaces found in many 17th-century homes.
The Blueware collection is inspired by traditional Delft Blue decorations and designed by a master painter from Royal Delft. The decorations are applied using a sophisticated screen-printing technique, a method that Royal Delft has been employing since the late 19th century. In this way, centuries-old decorative traditions and historical craftsmanship come together in a collection with a distinctive and timeless appearance.
Blueware
Blueware
Blueware
Blueware
De Porceleyne Fles in Delft
Centuries-old craftsmanship lives on in De Porceleyne Fles. The screen printing technique, with its origins in eighteenth-century England, is still an essential part of the decorating process. Here, heritage, precision and craft come together in every ceramic object.
Even when the screen printing technique is used, the hand of the Royal Delft master painter is still part of the design. The first design is put on paper with a brush, using the same black paint. Once a final design has been made, it is sent to the printer. The printer scans it digitally and then turns it into a screen print.
This is divided into four separate layers for the four different shades of blue. It is then printed onto plastic films, and the films are exposed onto a screen printing frame. In this way the design transfers from the film to the frame. This is done four times for the different shades of blue, after which a carrier layer is added on top. That carrier holds the entire design together.
The transfer is then applied to the glazed product, after which it fuses with the glaze layer during the second firing.
