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Blueware
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Coaster MillBlueware
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Coaster FlowerCombine this Delft Blue plate featuring a windmill motif with various other plates for a modern look on your wall. At 10 centimeters, it makes a subtle, Delft Blue accent within a larger ensemble.
The image was applied using the screen-printing technique, and the design was created by a Royal Delft painter.
Since the 17th century, wall plates have been a popular feature of Dutch interiors. Large earthenware plates were hung on walls as decoration to display wealth and taste. Much like Delft Blue tiles, they were often painted in blue and white, depicting ships, landscapes, flowers, and biblical scenes. A collection of plates on the wall added color and character to the interior and complemented the tiled walls and fireplaces found in many 17th-century homes.
The Blueware collection is inspired by traditional Delft Blue decorations and designed by a master painter from Royal Delft. The decorations are applied using a sophisticated screen-printing technique, a method that Royal Delft has been employing since the late 19th century. In this way, centuries-old decorative traditions and historical craftsmanship come together in a collection with a distinctive and timeless appearance.
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De Porceleyne Fles in Delft
Centuries-old craftsmanship lives on in De Porceleyne Fles. The screen printing technique, with its origins in eighteenth-century England, is still an essential part of the decorating process. Here, heritage, precision and craft come together in every ceramic object.
Even when the screen printing technique is used, the hand of the Royal Delft master painter is still part of the design. The first design is put on paper with a brush, using the same black paint. Once a final design has been made, it is sent to the printer. The printer scans it digitally and then turns it into a screen print.
This is divided into four separate layers for the four different shades of blue. It is then printed onto plastic films, and the films are exposed onto a screen printing frame. In this way the design transfers from the film to the frame. This is done four times for the different shades of blue, after which a carrier layer is added on top. That carrier holds the entire design together.
The transfer is then applied to the glazed product, after which it fuses with the glaze layer during the second firing.
