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Blue Herring
LibellebloemBlue Herring
BloemschalenBlue Herring
Art DecoBlue Herring
BloembedBlending Dutch Heritage
With the Blue Herring, the designers at Royal Delft and the Dutch design duo Koens and Middelkoop pay tribute to the Dutch tradition of herring and Delft Blue. The result: a stunning eye-catcher for your wall. Number one, Mesdag’s Fleet, shows a typical Dutch landscape with ships sailing on the water, inspired by the landscape paintings of Hendrik Willem Mesdag. The Blue Herring is available in 6 different versions, each with its own beautiful Delft Blue decoration. Expand your collection with Flower Scales, Mesdag’s Fleet, Peacock Scales, Art Deco, and Flower Bed.
A wall mount for hanging the herring on the wall is included, along with instructions.
Blue Herring is a collection of six ceramic herrings, designed in collaboration with design duo Koens & Middelkoop. Each herring has a unique Delft Blue decoration and tells its own story. The collection connects the Dutch herring tradition with contemporary design and centuries-old craftsmanship, with designs inspired by nature, art, and maritime history. Together, they form a playful, contemporary interpretation of Dutch heritage and a decorative eye-catcher for your wall.
Blue Herring
Blue Herring
Blue Herring
Blue Herring
De Porceleyne Fles in Delft
Centuries-old craftsmanship lives on in De Porceleyne Fles. The screen printing technique, with its origins in eighteenth-century England, is still an essential part of the decorating process. Here, heritage, precision and craft come together in every ceramic object.
Even when the screen printing technique is used, the hand of the Royal Delft master painter is still part of the design. The first design is put on paper with a brush, using the same black paint. Once a final design has been made, it is sent to the printer. The printer scans it digitally and then turns it into a screen print.
This is divided into four separate layers for the four different shades of blue. It is then printed onto plastic films, and the films are exposed onto a screen printing frame. In this way the design transfers from the film to the frame. This is done four times for the different shades of blue, after which a carrier layer is added on top. That carrier holds the entire design together.
The transfer is then applied to the glazed product, after which it fuses with the glaze layer during the second firing.
